Yin Rising
Carol Scavotto January 2025
About Carol
Carol Scavotto is a visual and performing artist based in Rhode Island. Her decades-long artistic practice has included sculpture, painting, needlework, fine jewelry design, and performance pieces. Her work is both highly autobiographical and deeply relatable.
Carol earned a BFA in sculpture from the University of Massachusetts Amherst in 1972 and completed training in the early 1980s at the Jewelry Institute of Rhode Island. For several years, her artistic energy was funneled into building various art-related businesses, including founding The Springfield Arts Center in The mid-1970s in Massachusetts and Casanna Design in Rhode Island, featuring her own Jewelry line. Her drive to create space for showing her and others’ work included opening and running an Art Cafe and establishing an art gallery housed within a high-end furniture store.
Carol’s career focus shifted after she was diagnosed with and successfully treated for cancer in 2009. She became absorbed in creating work that was more introspective and socially relevant. She intensified her artistic practice and increased her presence in art galleries and shows, establishing a recognizable voice in her work.
Since 2010, Carol’s work has been exhibited yearly in group shows nationally and internationally. As a solo artist, she has participated in several art fairs, including The Fountain Art Fair, Clio Art Fair, and Superfine Art Fair (all in New York City). She has also exhibited with galleries showing at The Affordable Art Fair (Amsterdam), CICA Museum (Korea), Asia Contemporary Art Fair (HongKong), and Art Busan (Busan, Korea). Carol’s work has been featured in numerous publications and press releases, including Clio Art Fair, Art511, Recap, an Art Uncovered interview, Boston Voyager, Superfine Art Fair 2018, Studio Magazine, Newport Mercury, Artfuse, and the Fall River Herald.
Artist Statement
I am a multi-disciplinary artist addressing Female empowerment.
The medium chosen for each series supports the narrative.
For the last five years, I have been creating Silk Thread Paintings with a strong Asian influence.
The graceful movements of Asian calligraphy strongly resonate with me; the fluid movements have become my voice. The narrative quality of Japanese woodblock prints brings me into a magical world. I do not read the language, so my reactions are visceral, responding to the rhythmic lines and shapes.
My strong background in gymnastics, figure skating, and ballet has given me an insatiable appreciation for the beauty of the spatial human form.
Stay tuned for more information about the exhibition and imagery.